ALBUM REVIEW – H HAWKLINE: MILK FOR FLOWERS

It takes bravado to open an album with a track that feels like a close sibling to an all-time classic symphonic pop song, ‘I Saw The Light’. With its piano line echoing Todd Rundgren’s melody, indulging in jigs with dual saxes, a brilliant dip as most the instrumentation temporarily drops out leaving a solitary piano […]
Jen Cloher’s latest album is an unashamedly political record but that should not conjure images of angry, shouty music. Thankfully, what is on offer is a warm collection of songs which celebrates community and acknowledges creating art as an act of resistance,  The opening track on ‘I Am The River, The River is Me‘ evolved […]

ALBUM REVIEW – JEN CLOHER: I AM THE RIVER, THE RIVER IS ME

ALBUM REVIEW: GRACIE ABRAMS – GOOD RIDDANCE

Following the success of her EP’s ‘This Is What It Feels Like’ (2021) and ‘Minor’ (2020), Abram’s debut album ‘Good Riddance’ was a guaranteed winner. Each track takes us on a journey to a new part of the story told breakup via soothing vocals and melodic riffs, I was hooked from the minute it began. […]
With eleven tracks of pure rapture, Inhaler makes the wait so unbelievably worth it. ‘Cuts & Bruises’ is an album that needs to be listened to, screamed to, danced to, and, at a minimum, shared across the entire universe. Following the release of their debut album, ‘It Won’t Always Be Like This’, which hit no. […]

ALBUM REVIEW: INHALER – CUTS & BRUISES

ALBUM REVIEW – GINA BIRCH: I PLAY MY BASS LOUD

The Raincoats are a band whose influence dwarfed their record sales. Most famously, their late 1970s creative post-punk ethos inspired Kurt Cobain and they originally reformed to open for Nirvana, plans scuppered by his death. However, they have influenced subsequent generations as I witnessed when they shared bills with Bis (during their first wave of […]
Since 2005, Field Music have released a string of consistently pleasing records via Memphis Industries, virtually developing a template for sustaining creativity over a lengthy period while gaining sufficient sales to dent the album charts. In addition, David Brewis has recorded three albums under the guise of School of Language but this month sees the […]

INTERVIEW: DAVID BREWIS DISCUSSES HIS NEW ALBUM, RECORD LABEL, FIELD MUSIC AND THE LIFE OF DIY RECORDING ARTISTS

ALBUM REVIEW – DAVID BREWIS: THE SOFT STRUGGLES

David Brewis is fond of a good concept. In recent years, he has created the Trump-based School of Language ‘45’ album and Field Music’s ‘Making A New World’ album consisting of songs based on his research for shows at the Imperial War Museum about tangential discoveries emerging from World War I. With the debut album […]
Confessional singer-songwriters face a quandary of how much to reveal, whether to go down the misery memoir route or strive too hard to convey a positive message. With ‘in/FLUX’, Anna B Savage gives herself an examination that sounds like the best ever episode of the old Radio 4 series ‘In the Psychiatrist’s Chair’ while accepts […]

ALBUM REVIEW – ANNA B SAVAGE: IN/FLUX

ALBUM REVIEW: HEINALI – KYIV ETERNAL

With a title like ‘Kyiv Eternal’, there is no escaping the associations with what, for many in the West, is a distressing reminder of the precariousness of our comfortable modern life but which, for those remaining in Kyiv, must be a constant source of underlying tension. This tension is the main feeling that Heinali’s new […]
High or low, voices that hit extremes are exhilarating. There is a thrill to vocals that soar stratospherically, such as Billy McKenzie or Roy Orbison, but there is a contrasting engagement with singing that appears to emerge from the soles of hobnail boots. One of my earliest musical memories was making ludicrous attempts at singing […]

ALBUM REVIEW – THE GOLDEN DREGS: ON GRACE AND DIGNITY