ALBUM REVIEW – JEN CLOHER: I AM THE RIVER, THE RIVER IS ME

Jen Cloher’s latest album is an unashamedly political record but that should not conjure images of angry, shouty music. Thankfully, what is on offer is a warm collection of songs which celebrates community and acknowledges creating art as an act of resistance,  The opening track on ‘I Am The River, The River is Me‘ evolved […]
Over seventeen studio albums Lawrence has given us some of the finest off kilter guitar pop melodies with his bands Felt, Denim and Go Kart Mozart, now with his latest project Mozart Estate, his brand of wonky pop takes another turn as he focuses firmly on modern day consumerism.  Recent single ‘Relative Poverty’ finds him […]

ALBUM REVIEW: MOZART ESTATE – POP-UP! KER-CHING! AND THE POSSIBILITIES OF MODERN SHOPPING

ALBUM REVIEW: GRACIE ABRAMS – GOOD RIDDANCE

Following the success of her EP’s ‘This Is What It Feels Like’ (2021) and ‘Minor’ (2020), Abram’s debut album ‘Good Riddance’ was a guaranteed winner. Each track takes us on a journey to a new part of the story told breakup via soothing vocals and melodic riffs, I was hooked from the minute it began. […]
With eleven tracks of pure rapture, Inhaler makes the wait so unbelievably worth it. ‘Cuts & Bruises’ is an album that needs to be listened to, screamed to, danced to, and, at a minimum, shared across the entire universe. Following the release of their debut album, ‘It Won’t Always Be Like This’, which hit no. […]

ALBUM REVIEW: INHALER – CUTS & BRUISES

ALBUM REVIEW: DANNY GOFFEY – BRYAN MOONE’S DISCO PUNK

We can’t deny it now can we, these 90’s reunion tours are getting old. But, sometimes when you’ve got such a great drum beat behind the band as well as the vocals, as in the case of Supergrass’ Danny Goffey, the prospect of a new project is a very exciting prospect indeed. I suppose we […]
The Raincoats are a band whose influence dwarfed their record sales. Most famously, their late 1970s creative post-punk ethos inspired Kurt Cobain and they originally reformed to open for Nirvana, plans scuppered by his death. However, they have influenced subsequent generations as I witnessed when they shared bills with Bis (during their first wave of […]

ALBUM REVIEW – GINA BIRCH: I PLAY MY BASS LOUD

ALBUM REVIEW – DAVID BREWIS: THE SOFT STRUGGLES

David Brewis is fond of a good concept. In recent years, he has created the Trump-based School of Language ‘45’ album and Field Music’s ‘Making A New World’ album consisting of songs based on his research for shows at the Imperial War Museum about tangential discoveries emerging from World War I. With the debut album […]
Confessional singer-songwriters face a quandary of how much to reveal, whether to go down the misery memoir route or strive too hard to convey a positive message. With ‘in/FLUX’, Anna B Savage gives herself an examination that sounds like the best ever episode of the old Radio 4 series ‘In the Psychiatrist’s Chair’ while accepts […]

ALBUM REVIEW – ANNA B SAVAGE: IN/FLUX

ALBUM REVIEW: HEINALI – KYIV ETERNAL

With a title like ‘Kyiv Eternal’, there is no escaping the associations with what, for many in the West, is a distressing reminder of the precariousness of our comfortable modern life but which, for those remaining in Kyiv, must be a constant source of underlying tension. This tension is the main feeling that Heinali’s new […]
High or low, voices that hit extremes are exhilarating. There is a thrill to vocals that soar stratospherically, such as Billy McKenzie or Roy Orbison, but there is a contrasting engagement with singing that appears to emerge from the soles of hobnail boots. One of my earliest musical memories was making ludicrous attempts at singing […]

ALBUM REVIEW – THE GOLDEN DREGS: ON GRACE AND DIGNITY