ALBUM REVIEW – ALISON COTTON: THE GODS LAUGH

There is an impressively austere quality to Alison Cotton’s music. Set within the self-imposed parameters of only using instrumentation that she owns, that policy initially saw her limited to viola, voice and Omnichord drone on her debut. In contrast, ‘The Gods Laugh’ has an expanded palette that also includes harmonium, piano, hammer dulcimer, treble recorder, […]