Julia Holter       Materia             

A seven-track companion album to her acclaimed 2024 release Something in the Room She Moves. The collection, a sequel of sorts, includes new songs written and recorded with her band in between tours, reinventions of Something’s “Materia,” and songs first conceived around the making of the 2024 record.

Cornelius          Refractions      

Where previous Cornelius records often leaned toward introspection, this new work is shaped more explicitly through collaboration and exchange. Lead single Aeons features Sean Ono Lennon.

Antony Szmierek           Decoding Birdsong      

A new body of work that signals a clear evolution in both sound and scope. Rooted in his personal touchstones within electronic music, the album pairs expansive, immersive production with his trademark razor-sharp lyricism.

Lambchop        Punching The Clown  

Inspired by early country gospel, the songs focus on banjo and choir.

The Cramps      Gravest Gravy

Previously unreleased 1977 album from the band produced by Alex Chilton, mixed and mastered by Ian MacKaye and Henry Rollins.

Black Marble   Life in Small Spaces   

Drawing on early American left-of-the-dial “college radio” staccato guitar lines (recalling Pylon, The Necessaries, and R. Stevie Moore), and live drum samples (a nod to Wire’s simple metronomic style), the album takes on more of a live sound, trading in Stewart’s usual walls of synths.

Jim Blaha          I Will Die in this Jean Jacket   

No-fi DIY that conjures The Go Betweens, The Clean, Jesus And The Mary Chain, New Order, Guided By Voices and Flip Your Wig-era Hüsker Dü.

Swami John Reis           Navajo White  

Taking musical cues from later period Wipers, the more low-key Saints songs, early recordings of The Church as well as The Damned on their Black Album, Navajo White pits sentiment vs the unsentimental.

Nick Mitchell Maiato                  Naquera            

Hazy and heady, an end-of-summer cosmic jammer from Nick Mitchell Maiato, full of big choruses, blazing guitars, country honk, and deep grooves—replete with funky horn section.

Elanor Moss     The Knife, The Needle

Her debut album renders joy and pain in exquisite peals of psych-folk, her darkly-dreamed vignettes offering, if not catharsis, an understanding of the complexity of the journey towards it .

Lorg       I Fell For Fantasy          

A debut album of spaced out, autotuned, woozy dream pop.

Spaer                  Lessons and Nonsense            

Vocal harmonies reminiscent of a Smiley Smile era Brian Wilson sit with purpose atop exploding drums and warped samples of Spears’ own voice and instruments.

GB         Herzsprung      

Gustav Berntsen is an artist from Copenhagen who crafts texture-heavy, adventurous guitar music cut with a pop sensibility.

Ok Cowgirl        Rhinestone Cowgirl    

Their second album is a bigger, brighter, more self-assured record, one that trades the debut’s inward spiral for something closer to catharsis, building on the band’s signature balance of emotionally direct songwriting and expansive, textured arrangements.

Alex Amor         Heavenly Bodies          

Amor balances vulnerability with control, allowing intimate confessions to unfold within shimmering guitars, floating synths and slow-blooming choruses.

Sondre Lerche               Acrobats           

An eight-song suite that ping pongs between joy and introspection, loss and love.

Dan + Shay       Young  

Grammy winning country artists reflect on family, faith and following your dreams.

Mystery Jets     A Hole To See The Sky Through            

Their seventh album maintains their reputation for eccentric songwriting, inventive arrangements, and a distinctive fusion of indie rock, psychedelic pop, and progressive influences.

Tyondai Braxton             Splayed Werks              

70+ minutes of pure electronics and sound design, comprised of mostly sub-five minutes tracks recorded in his home studio.

Westside Cowboy        It Goes On        

According to the band, for their debut album, “we wanted to make an album for our younger selves, one that reminds us of all the bodies of work that made us fall in love with music. We wanted the music to be instant, concise, and honest to us as people today.”

Grandmas House          Baby You’re A Winner 

The songs vary from the righteous, elasticated rock of recent single ‘DOG’ to the syncopated post-punk and brass blasts of ‘Dance’ and on to the chamber folk ambiance of closer ‘Spring’.

Liam Hayes      Dancing Backwards   

Hayes has released seven albums, two singles and a soundtrack, and applies his craftsmanship to a variety of genres from orchestrated pop to stripped down rock. Comparisons to Brian Wilson, Laura Nyro, Carole King, Harry Nilsson, Badfinger (and even Prince) are numerous.

The Night Eternal          Cold Velvet      

The band has carved out its own subgenre, weaving darkness, dreamlike unease and deep melancholy into a dramatic yet untainted heavy metal rock‘n‘roll attitude.

French Film      Yours + 5           

Band drawing inspiration from Blonde Redhead, Sonic Youth, Autolux, and Unwound, they have been gaining traction in Austin’s underground shoegaze and post-hardcore scene since they formed in the winter of 2023.

No Joy                 Big Life, Big Leaf EP    

EP from Canadian shoegazers that once again finds Jasamine White-Gluz teaming up with ascendent new Warp signing and future-fusionist Fire-Toolz.

Mark Ciani        Utopia

He crafts ambitious, album-driven works that blend adventurous arrangements with deeply human storytelling.

Daily Thompson             Glue     

Heavily influenced by the grunge scene, the songs on Glue are propelled by massive, fuzzy, distorted guitars, melodic hooks, and the signature vocals from both sides.

Brennan Wedl                Brennan Wedl

A middle ground between punk, grunge and Americana – ‘grungetry’ as they affectionately call it.

Wasuremono                  Me and the Noise         

Wasuremono is a vehicle for William Southward’s songs, for which he’s now spent the last decade crafting infectious, hook-laden, indie-pop music from his garden shed in Bradford-On-Avon.

Sam Smith        Hazel Eyes       

An album that draws from an eclectic constellation of genres (baroque pop, British folk, outlaw country, left-field R&B)—all while foregrounding their incandescent voice and soul-baring storytelling.

Giraffe                The Towering Inferno with Bongo Drums        

The album built from spontaneous improvisation, cosmic psychedelia, jazz-informed interplay, and groove-driven exploration.

Brandon Flowers           Thrasher           

Flowers’ first solo album in ten years features some of Nashville’s most distinguished players including longtime Gillian Welch collaborator David Rawlings on guitar, prolific and influential pedal steel player Bruce Bouton, and 85-year-old Charlie McCoy, the legendary harmonica player whose signature playing graces all four of Bob Dylan’s iconic Nashville records.

Maťkovia           1982-1986 (Expanded)              

During their short period of activity, the post-punk band Maťkovia were never allowed to release anything – “The ironic, nihilistic lyrics full of dark humour, describing the despair and greyness of the normalization era in Bratislava in the 1980s simply had no chance of passing through the censorship at the time.”

The Odyssey Cult          Vol 3    

First collaborative creative project by Comets On Fire founders Ethan Miller and Ben Flashman in two decades.Featuring Steve Shelley of Sonic Youth, Brigid Dawson of Osees, Anthony Taibi of Carlton Melton.

Moon Attendant             Dum Evol          

Incendiary, heart-pounding, drum-led album full of untutored surf-guitar, Scarlet Rivera style fiddle, psychedelic orchestration and sharp-playful lyrics

Leah Sinclair                  Lock & Key EP

She draws on influences ranging from Lana Del Rey to orchestral scores to Final Fantasy themes to craft intimate, memory-driven songs about desire, heartbreak, and the things we’re afraid to say.

Young Martyrs                Might Just Be Enough 

Bath indie-Americana outfit explores the essence of the human condition: love, longing, grief, hope, mental health and perseverance.

Time Spent Driving      Lost Leaves     

Veterans of the late ’90s and early 2000s emo and indie rock scene.

Fling II  3            

An album that captures the intersections between Neu!, later Don Caballero and Tangerine Dream.

Fletchr Fletchr               On The Island We Call Home EP         

Songs encompassing universal anxieties about modern life, whilst remaining fully charged with hope and optimism via their widescreen indie rock sound.

Kojo Funds       Hello It’s Me Again EP

Showcasing his development on the gritty Afroswing he birthed in East London, now introducing a new take on bright Afrobeat and Dancehall, as he incorporates greater influence from his Ghanaian & Dominican roots into his sound.

The Lazy Eyes  Cheesy Love Songs     

It marks a departure from some of the more fuzzed-up psychedelic leanings of their past, this time they step into a carefree, ornate and sophisticated style of songwriting that harks back to The Kinks and The Beatles, as much as it lives in the present day with the likes of The Lemon Twigs or The Strokes.

Mark Chadwick             Ouse Dragon   

The lead singer with The Levellers offers a dreamlike and, at times, disorientating collection of six musical pieces that inhabit a leftfield sonic world of electronic soundscapes and ambient textures.

Happy Mondays            Pills’n’Thrills and Bellyaches

With all original audio remastered from the Factory Records master tapes, the 2026 reissue of ‘Pills ‘N’ Thrills and Bellyaches’ is being released on 5LP Super Deluxe Edition, 4CD Edition, 2CD Edition, 1LP Editions, cassette, PLUS an extravagant, super-limited ‘Pill Edition’.