ALBUM REVIEW – BEIRUT: A STUDY OF LOSSES

There has always been a pleasingly international aspect to Zac Condon’s musical output as Beirut, even down to the recording name he chose. The Balkan tinged 2005 debut, ‘Gulag Orkestar’, began a journey that wandered off into French chanson for ‘The Flying Club Cup’ (2007) and onto the Mexican flavoured ‘March of the Zapotec / […]
Beirut (aka Zack Condon) is quite the peculiarity.  His song writing technique is tantamount to musical colonialism (with all the positive and negative connotations involved) as he claims and manipulates great swathes of sovereign musical territory, and bedecks them with layers of semi-operatic baritone. On Gulag Orkestar he gobbled up much of Eastern Europe; on […]

Album Review: Beirut – The Rip Tide