Coinciding with today’s release of The Big Pink’s second album ‘Future This’, the eleventh instalment of the 4AD Sessions is now available. Directed by long-term 4AD collaborators Iain and Jane, Robbie Furze and Milo Cordell are joined by live band members, Victoria Smith and Zan Lyons to help bring to life the immersive feel of […]
Refined via demo sessions at an old distillery grain store in the Scottish Highlands, Let Me Come Home has a sound that evokes its gestation – expansive, isolated, desolate and beautiful. Broken Records themselves have the sound of a folk band that gradually augmented into something louder and wider, and indeed these songs began acoustically, written in […]
There is a weight of expectation surrounding High Violet, the fifth album from Brooklyn based band The National. After a couple of false starts, Alligator (2005) jolted the band out of obscurity, gaining them a cult following and critical adulation. Boxer (2007) was a much grander and better produced effort, which, whilst not quite hitting the same euphoric highs as Alligator, allowed the […]
The people who Rule Britannia go to Eton. The people who Rule The World go to Institut Le Rosney. But the people who really matter – such as Oscar-winners Nicholas Cage and Richard Dreyfus, Emmy-winners Lenny Kravitz and André Previn, and Fellator-in-Chief Monica Lewisnky – are past pupils of Beverly Hills High School. When Ariel Pink was a student of […]
This track so nearly passed me by. I don’t listen to the radio much, I barely watch TV (which ignoring The World Service both so rarely broadcast something of interest), but luckily the night staff at my day job left a music channel running and I happened upon Velvet. You may already know the arrogant […]



