Rounding up a bumper week of releases that is equally high on quantity and quality. Sharada Shashidhar Soft Echoes Described by Gilles Peterson as ‘The Jazz Kate Bush’, ‘Soft Echoes’ justifies the fanciful description. A step forward, eschewing her previous work’s hip-hop tilt for expansive compositions that blend jazz and Indian classical influences into a […]
I haven’t anticipated the release of an album as strongly as I have in the case of Alan Sparhawk’s debut solo record, ‘White Roses, My God’. Like countless other fans of the work he produced while a member of the esteemed duo Low (alongside Mimi Parker), I was taken aback upon listening to ‘Can U […]
“Dance is life and you can’t be angry when you’re dancing so keep dancing”, states the voiceover on ‘Our Element’, a brief linking track on Ezra Collective’s new album, ‘Dance, No One’s Watching’. While “anger is an energy” as John Lydon once described it, the horrendous fact that he has ended up as a Trump […]
The sixth album from singer-songwriter Gemma Hayes falls into the “grower” category. It is not an album that clamours for attention but through a combination of cunningly low-key instrumentation and storytelling weaves its spell. Having relocated from London to Baltimore, West Cork and taken up residence in the holiday home of her husband’s family, Hayes […]
If you tell me that Efrim Menuck – founding member of one of my personal favourite bands Godspeed You! Black Emperor – has a new project, I’m already on board. We Are Winter’s Blue and Radiant Children have more prestige than just that alone, though. Joining Menuck are Mat Ball, guitarist in drone doom outfit […]
Another hearty week of new releases. Here is Silent Radio’s summary. Katy J Pearson Those Goodbyes Songs which range from achy-hearted, string-laden confessionals to sleek, chic soundtracks for the small hours The Waeve City Lights The second album from Graham Coxon and Rose Elinor Dougall is a collection of 10 songs that illustrate the evolution […]
From The Ronettes through the likes of The Marvelettes to The Pipettes, the suffix ‘ettes’ in a band’s name is a reliable indicator of certain qualities. It is a guarantee of a female fronted act, either 1960s originals or heavily inspired by girl action from that era, and punchy pop songs with big choruses and […]
French-Lebanese trumpeter Ibrahim Maalouf’s latest album, ‘Trumpets of Michel-Ange’ sees itself as more than just a record. It is also part of an initiative to make the quarter tone trumpet his father invented accessible via a series of lessons, instruments and recordings. The instrument was crafted with an additional fourth valve which enables the player […]
Belarus’ biggest post-punk trio, Molchat Doma, are back striking again with their new early ‘80’s Joy Division/ The Cure inspired Atmospheric fourth album, Beyala Polosa, or ‘White Stripe’. This is the band’s first studio album since the release of 2020’s fantastically moody and gloomy Monument. The trio’s best project coming into this album, in my […]
On his Bandcamp page, ‘Down to the Marshes’ is self-proclaimed as being David Lance Callahan’s third and best album, as well as being touted as a masterpiece. These are heady claims, especially as his first two solo albums, ‘English Primitive I & II’ were startling works that drew deserved hyperbole from the more discerning music […]
GIG GUIDE
Our gig guide is handpicked and every act has been listened to before making it onto the list.
See this month's guide
ALBUM REVIEW - THE SCRATCH: PULL LIKE A DOG
ALBUM ROUNDUP WEEK ENDING 13 MARCH 2026
ALBUM REVIEW - FOTOCRIME: SECURITY
ALBUM REVIEW - TENDERNESS: TRUE
ALBUM REVIEW - ART SCHOOL GIRLFRIEND: LEAN IN
ALBUM REVIEW - SQUEEZE: TRIXIES
ALBUM ROUNDUP WEEK ENDING 6 MARCH 2026
ALBUM REVIEW - AGABAS: HARD ANGER
GIG GUIDE - MARCH 2026
ALBUM REVIEW - CONVERGE: LOVE IS NOT ENOUGH
