ALBUM REVIEW – THE DIVINE COMEDY: RAINY SUNDAY AFTERNOON

“Everything’s connected, the fibres intertwine.” For three decades now, Neil Hannon, performing under the name The Divine Comedy, has serenaded the world with his baroque, orchestrated pop, as well as his bespoke outlook on not just life itself, but himself too. But, as the old saying goes, time is of the essence. It had been […]
Melodic death metal is a subgenre within death metal that tends to explore the uniqueness of what a musician is able to produce, whether it is melodies or guitar solos. Omnium Gatherum pull this off to perfection. Despite the harsh vocals of frontman Jukka Pelkonen, which are absolutely brutal, where this band shines is in […]

ALBUM REVIEW – OMNIUM GATHERUM: MAY THE BRIDGES WE BURN LIGHT THE WAY

ALBUM REVIEW – NOURA MINT SEYMALI: YENBETT

Noura Mint Seymali’s third album and her first in nine years is a highly focused and impressive blast of desert psych. ‘Yenbett’ is a successful blending of tradition with innovation. A Mauritanian griot, Seymali comes from a significant musical family: her father, Seymali Ould Ahmed Vall, was a renowned composer and scholar; and her stepmother, […]
For some reason, I can’t pinpoint how I first discovered Luvcat, the persona conjured by Liverpudlian musician Sophie Morgan. Somehow, “Dinner @ Brasserie Zédel” made its way to my headphones with this sprawl, a message of longing and image conjuring an opulent night in Soho, and I was promptly hooked. A quick delve into what […]

ALBUM REVIEW – LUVCAT: VICIOUS DELICIOUS

ALBUM REVIEW – HILARY WOODS: NIGHT CRIU

Following two densely atmospheric instrumental albums, her latest record sees Hilary Woods making a welcome return to a song-based structure and giving primacy to her voice. ‘Night CRIÚ’ takes as its stated influences Czech and early Italian cinema, processions and parades, early music, indigenous language, the joy in dance, the immediacy of sound and the […]
Combining music genres in alternative music is very rare and, when it is done correctly, the results can be mind-blowing. Witch Fever, in their short career thus far, have always been aiming to push the boundaries of alternative music, by combining shoegaze esque soundscapes with heavier guttural vocals at times which sound like yells. Fevereaten […]

ALBUM REVIEW – WITCH FEVER: FEVEREATEN

ALBUM ROUNDUP WEEK ENDING 24 OCTOBER 2025

Jim Jones All Stars       Get Down ~Get With It – Jim Jones All Stars (Live)      Recorded live and pieced together by Jim Jones from live shows between 2023-2025, ‘Get Down ~Get With It’ perfectly captures the bubbling swamp curse of unholy rhythm and the frenzied fury of their live shows. The music, an intoxicating, exciting […]
In the issue of 3 May 1982 of Libération, Serge Daney created a diagram showing different film directors in various parts of the body: Kazan, groin; DeMille, feet; Ozu, anus or bladder, etc. A year prior, as an ending paragraph of an article on Francisca by Manoel de Oliveira, he would add:  What can cinema? […]

ALBUM REVIEW – JESSICA MOSS: UNFOLDING

ALBUM REVIEW – TAME IMPALA: DEADBEAT

After five years, Kevin Parker releases his fifth album ‘Deadbeat’. A chameleon when it comes to the creation of his music, as he states in an interview with Zane Lowe, “That’s always something that I get a kick out of: just shaking up expectations.”  Even with the everchanging sound, one thing stays the same; vibes […]
For those with an interest in music from the punk era and its varied aftermath, Cargo Studios has legendary status. John Peel confided that he would often play a track, having not previously heard it, just because it said “recorded at Cargo” on the label. It started to gain its reputation when ‘Anthrax’ by the […]

BOOK REVIEW – CARGO RECORDING STUDIOS 1977 – 1985 BY CHRIS CONNELLY