Jeffrey Alexander + The Heavy Lidders – Liquid Donnon
The band continue to evolve their own musical space that overlays dusty folk, cosmic jazz, deep psych, free improv, and even indie rock. This five-track, 40-minute odyssey gives them full reign to dive deep into the realm of the weird and wonderful.
Brazzmatazz Crank Up The Pressure
An 18-piece steampunk brass band from Ghent, Belgium, blending theatrical showmanship with raw musical energy. With a unique mix of New Orleans grooves, Balkan vibes, funk, drum & bass, and driving beats, they create their signature brass band bangers: high-energy, danceable tracks
Ea Othilde You’ll Leave The City EP
She leans further into a rawer, more direct and guitar-driven sound than before, while keeping the intimacy and emotional weight that set her apart.
Embrace Avalanche
Their first album in four years is one that singer Danny McNamara calls their most candid, open and raw work to date, something they were able to achieve by prioritising the feel of the record ahead of its perfection and rooting themselves in the idea that life doesn’t wait for you to be ready.
Alex Amen Sun of Amen
Texan indie folk country singer-songwriter who has made a point of entwining his passions for music and the great outdoors, and just as he has found himself unbound by location, his music too exists out of time, lush and unhurried.
Jenny Gillespie Mason In the Safety of the Light
Sonically, it draws on the pastoral glow of 1970s British folk, with echoes of Catherine Howe and Fairport Convention, while sailing at times into atmospheric sounds inspired by the ambient music of Hiroshi Yoshimura and the more cosmic folk ballads of Beck.
Ibrahim Maalouf Trumpets of Michel-Ange Vol 2
Central to the new album is the quarter-tone trumpet developed by his father, which allows him to move between Arabic and Western tonal systems and gives the music its instantly recognisable sound. Guests include Jon Batiste and Trombone Shorty.
La Sécurité Bingo!
The album sees the Montréal/Tiohtià:ke collective introduce even more elements from no wave, noise rock, and shoegaze to their signature alloy of bilingual art-punk, creating something jittery, confrontational, and irresistibly kinetic.
Pussy Riot CYRK
Their debut album includes “CANDY DOPAMINE” featuring Avenged Sevenfold. It’s a fever dream/panic attack collision of punk rage, pop hooks, and the kind of emotional honesty that makes you feel like you’ve been punched in the chest in the best possible way.
Prekowski House of Work EP
Six track record built around the Belgian band’s organic raw energy, dissonant saxophone lines, and dark, atmospheric textures, with a subtle gothic undertone running throughout.
Meltt Pathways
Alternative psych-rock band with a deeply reflective and expansive body of work.
Northcote To Cherish
The album’s tracks, from the confessional “Tangled Strings” to the uplifting “Cherish the Way,” strike a balance between lyrical introspection and full-bodied sonic energy, translating seamlessly to the stage.
Kit Major Miss Ego
EP that explores identity, femininity, and how much space a woman is allowed to take onstage, in relationships, in the rock scene and in the world.
The Bobby Lees New Self
They are as uncompromising in their sound and generous with their energy as any of their punk ancestors who first rewrote the rules of engagement back in the 1970s.
Big / Brave in grief or in hope
Within texturally maximalist loops and affected vocals, the pieces utilize the aesthetics of drone, electronic, and heavy music within a foundation of pop song form.
Micko & the Mellotronics The Trinity
Bringing a new dimension of sharp and economic post-punk/new wave attitude to the diverse Westmoreland songbook, they’ve already been favourably compared to The Jam, Pil, Wire, XTC and Pulp.
Big D and the Kids Table The Good Ole American
12th album from the ska punk band.
Andrew Jim Gannon Hydrate Those Folds!
Previously releasing music as On Man (Houndstooth), the Hertfordshire-based producer now steps out from behind the moniker, singing under his own name for the first time and reshaping his electronic background into a more exposed strain of art-pop.
Stephanie Babirak Rotten Fruit
NYC-based harpist, singer-songwriter, and composer, Babirak moves fluidly between the classical and contemporary worlds.
Fruit Bats The Landfill
Collectively, these songs form one of the more expansive statements in the Fruit Bats canon. The Landfill balances communal energy of collaboration, deeply personal writing with lyrics that wrestle with regret, longing, and hope.
Julia Greenberg Born Sentimental
The EP is a collision of alt-country grit and the sophisticated wit of American Standards.
Alev Lenz & Jas Shaw 4 in a Cycle of Thirds (Jas Shaw versions)
A complete, album length ambient rework of the German-Turkish singers recent album by Simian Mobile Disco co-founder Jas Shaw.
We’re In The Water The Belltower
Second part of a mind, body and soul trilogy. This time, the record moves into a more immediate, physical space. Strong beats, catchy hooks and towering choruses come to the forefront.
Pickle Juice The Whiteroom
The EP leans into the band’s alternative and garage rock roots, embracing the unpolished urgency that has become central to their sound.
Ismay Half Truth
Alt country singer-songwriter. Half Truth came from a time when Hellman was tracing the roots of Lucinda Williams for a documentary film and podcast they created called Finding Lucinda.
Hawkwind Psychedelic Selection
Drawing together unheard recordings, newly reworked classics and fresh material from the current line-up.
Goose Big Modern!
Built on the back of the band’s vaunted improvisational prowess, the album highlights their ongoing musical evolution through 15 future-facing tracks that weave effortlessly through heartland rock piano ballads, accented orchestral jazz interludes, and high-octane synth rock.
King G & The J Krew Locust Drive
Reissue of lost 1992 album from pre-Rodan/June of 44 experimental rap project.
Pluralone A Drop In The Ocean
Known for his work with Pearl Jam and Red Hot Chili Peppers, among others, Klinghoffer brings the same melodic sensibility and emotional directness that have defined his career to a more acoustic, songwriter-forward set, placing voice, lyrics, and intimate arrangements at the centre.
Olivia Rodrigo you seem pretty sad for a girl so in love
The third album from the chart-topping singer-songwriter.
Berndt / Schmidt Cloud Machines
The record is a love letter to two of their strongest mutual influences of the 1980s—the delirious comic books of French auteur Jean Giraud (AKA Moebius) and the beautiful miniatures of the SKY Records Cluster/Eno/Conny Plank collaborations.
Joan as Police Woman Real Life Evolution
Twenty years since releasing her debut album “Real Life”, Joan has re-recorded and imagined the album in full with guests including Iggy Pop and Krystle Warren.
King Potenaz Arcane Desert Rituals Vol 2
The album moves through ritualistic doom, heavy stoner grooves, dark fantasy, cosmic themes, and long hypnotic passages that feel more like ceremonies than songs.
Tooth Restless in Bloom EP
London band fusing anthemic US alternative, second-wave emo and garage rock.
BendreTheGiant Swollen Eyes
Built on a genre-fluid ethos, they draw on everything from classic PNW heaviness and big-band brass to folk balladry and cumbia-inflected rhythms.
Mirror of my Soul October is Rising
This is the solo project of Patrik Andersson Winberg (Dun Ringill), and it hits somewhere between Nick Cave’s storytelling, Johnny Cash’s gravity, and the shadowy atmosphere of Fields of the Nephilim.
Non Serviam La Lune Dont Mon Âme Est Pleine
Industrial noise colliding with black metal, dragged through baroque drama and darkwave pulse, and rebuilt into something that feels more like a ritual than a record.
Joseph Shabason and Nicholas Krgovich Four Days In June
The duo lean into a warm 90s country sound (referencing R.E.M., K.D. Lang) with pedal steel, fiddle and banjo, plus contributions from a long list of musicians including Dorothea Paas, Ian McGimpsey, and Sam Amidon.
Dagny Dancefloor Erotica
Across the record, heavy basslines and playful synths wrap around Dagny’s electric vocals, as the listener is taken through packed clubs and hectic streets with pop songs that constantly offer an extra twist or an unexpected turn.
