7ebra How To Land A Plane
An album that showcases the hookiest and most layered songwriting of their career so far, full of buzzing synths and insistent beats.
William D Drake Moulded By Industry
Moving on from his nine years of pianistic and compositional duties in Cardiacs, Drake’s solo work has been known for its synthesis of Mellotron-driven grandeur with a surreal playfulness. But the deep heart of Drake’s work is in its powerful evocation of the landscape of the countryside and its connection with love, longing and loss.
The Klittens Have A Heart
They combine their love of pop music and dark sentiments with thier unique punk ethos, drawing inspiration from a wide range of artists including The Ronettes, MF Doom, Dry Cleaning and Kate Bush.
Julia Jacklin The Gem
The album’s first single is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.
Ian Noe Canyon Falls Trailer Band
A sweeping 16-song concept album drawing on sounds from folk rock to country. The album imagines a legendary fictional band (Canyon Falls Trailer Band), who perform for one night only as a showcase seeking industry approval.
Adult DVD Adult DVD
The Leeds-based sextet has carved a niche as one of the most talked-about live bands in the country and an irreverent new voice existing in the space between electronic euphoria and spiky hardcore energy.
Lande Hekt Threadbare EP
Indie pop artist presents the most mature and confident version of herself yet.
The Reds, Pinks & Purples True Love Daydream EP
A companion piece to the recent Acknowledge Kindness album, three of the songs on the EP are atmospheric instrumentals, a slight departure from Donaldson’s classic songwriting.
Osees Off Course
A return to old working methods based around jamming and also marks the return of Brigid Dawson.
Gamboa-Pellicci Secreto desorden de los sentidos
Ecuadorian cellist Ana Gamboa and Argentine vocalist Constanza Pellicci have developed a free improvisation practice shaped by a shared condition: both have built their careers across different cities and through processes of migration. In this context, improvisation has been not only a way of making music, but also a way of engaging with the displacements and transformations that have marked their personal experiences.
Nathan Kendall Flash Channel
A mix of psychedelia, vintage soul, folk and classic pop-rock, it shows a knack for timeless songwriting.
Our Man in the Field Silverado
The album combines richly textured Americana, folk and cinematic rock with the character-driven songwriting that has become synonymous with Our Man in the Field.
Baba Zula XXX
Weaving together shapeshifting rhythms, hypnotic saz-driven atmospherics, and deep sonic rituals, the new album celebrates a band that has spent the past thirty years continuously redefining the possibilities of Turkish psychedelic music.
Slaughtercult Devoured by Perversion
Packed with cavernous riffs, pulverizing slams, relentless blast beats, and zero interest in subtlety.
Gooseberry Simple Sucker
Brooklyn trio channel alternative rock, indie, and blues into a sharp, swaggering sound that’s earned comparisons to The White Stripes and Arctic Monkeys.
The Mary Tyler Whores As Filthy As We Want To Be
Debut album from Florida punks
Gaspar Claus Cells
Driven by a fertile tension between the cello and its digital transformation, the record unfolds a shifting sonic landscape where organic fervor meets electronic metamorphosis.
Becky Hill Rebecca
The album sees her reconnecting with the wider influences that shaped her early musical identity, pulling inspiration from guitar music alongside the dance and drum & bass foundations that have defined her career.
Keo Put A Smile On For Me
Sitting somewhere between shoegaze and alt-rock, the record draws on the charged candour of artists including Led Zepplin, Sun Kil Moon and Smashing Pumpkins, while carrying the lyrical directness and storytelling instinct of artists like Radiohead.
Corey Kent Heartland Rock and Roll
The 16-track project finds the Oklahoma native fully embracing the gritty, genre-blurring sound he’s spent years carving out – one that fuses country, rock and soul into what he calls Heartland Rock and Roll.
Brother Bird The Lodge in Miller County
Drawing influence from artists like Mazzy Star, Big Thief, and The Cranberries, her music sits in a space that is both soft and unflinching, often centering on themes of imposter syndrome, dissatisfaction, and the complexity of being human.
Hermanos Gutiérrez Los Ojos Del Cóndor
The 10-track album draws the duo’s cinematic guitar work more directly toward their South American roots, trading the wide-open spaces of the American West for the rhythms and textures of the Andes.
Penelope Isles 3
Their first as a true three-piece, with close friend Joe Taylor (Anna B Savage, Iona Zajac) joining on drums, and the first they’ve ever recorded live. Jack and Lily trade shimmering guitars and sunlit harmonies like shared secrets, while Joe Taylor anchors it all: falsetto drifting wistfully above, drums crashing below.
Soft Cell Danceteria
Their final album is reminiscent of Sparks, Pet Shop Boys and with lyrics Lady Gaga would kill for, the album takes you on a vivid journey through a day in early 80s New York, bouncing round the clock from night to bleary daybreak and headlong back into the club.
SOFY How To Perform Magic
Her debut uses touchstones like Massive Attack, early The xx, and Radiohead. The result is an enchanting blend of trip hop, garage rock, Britpop and breakbeats.
Utopia PKWY Utopia PKWY
Chrome-coloured keyboards, warped hooks, sci-fi theremins, trippy sitars, and radiant melodies drift through richly layered arrangements that feel cinematic and immediate.
Dylan John Thomas Nothing Here Worth Taking
The ten-track album evolves his sonic world with a rousing, carousing blast of brass, blues, banjo, piano and classic, retro-futureproof, singalong songwriting.
Karina Rykman Late Checkout
The album distinctive flag in modern psychedelic indie rock, at turns shimmering and ethereal, hypnotic and explosive.
Forest Swan Dive
Across the ten-track record, walls of distorted guitars collide with electronic textures, industrial undercurrents, and moments of pop clarity.
Sebastian Mullaert & Tamarma Holds the Sky
Spanning ambient, experimental, and alternative electronic forms, alongside a set of dancefloor-oriented reworks that expand the project’s sonic spectrum.
Peter Hammill Tears in Time
After his time with Van Der Graaf Generator, he has sustained a remarkable solo career that has seen him explore everything from fierce, experimental rock and intimate piano-led confessionals to electronic abstraction, chamber-like atmospheres and profound, late-period reflection.
Uche Yara Bodyscanner
An album drawing together elements of rock, pop, R&B and experimental sounds while its title reflects the tension between how we see ourselves and how we are seen by others.
Gurriers Nobody’s Coming To Save You
The album captures Gurriers scaling up every element that made their debut so compelling: sharper dynamics, towering production and an even more urgent worldview.
Sunken Man Sunken Man
Debut from artist taking influence from two albums: Modest Mouse’s The Lonesome Crowded West, jagged and restless and completely alive; and Wilco’s Yankee Hotel Foxtrot, which showed him that American music could be literary and fractured and still devastatingly human.
The Yummy Fur Everybody Talks About The Weather
Their first album of new material in over 25 years is seductive and ambiguous; a fast-paced flip through scenes from art, myth, life and fantasy; a witty whole made from glittering scraps.
Eightycuts Thousand Fates
Poised between the future and nostalgia, this hazy, dreamlike narrative offers an elsewhere, somewhere between the urgency of punk and a trance-like slowness.
Die Anstalt Die Anstalt
Blending early EBM, synth-punk and classic post-punk with flashes of surf guitar, Die Anstalt have quickly emerged as one of Berlin’s most exciting new bands. Their music channels the grit and tension of 1980s industrial subcultures while feeling unmistakably contemporary, drawing comparisons to Malaria!, Boy Harsher, DAF and Xmal Deutschland
Randy Edelman Green Park
Composer best known for his iconic film scores for The Last of the Mohicans, Dragonheart, Gettysburg, The Mask, My Cousin Vinny, Ghostbusters II and Kindergarten Cop turns his attention to one of London’s most iconic spaces.
Gilla Band Pugnello
Band who have idiosyncratically forged a path somewhere between post-rock and noise-rock.
The Sick Man of Europe The Intermittent Signal
Suicide’s man-and-machine menace pushed through Cabaret Voltaire’s tape-paranoia and politics, with a Depeche Mode melody surfacing where you least expect it.
Gargant Dead Night Defiance
Powerful and immersive form of Dark Power Metal, driven by massive riffs, dark atmospheres, and soaring epic melodies.
Faust Fliegen Lernen, Gugaruz, Ungebunden, and MOI
Set of four new albums recorded/curated individually by all four remaing members of the classic original line up.
Night Laser Rats in the Cradle
Fifth album from glam and sleaze metal act.
Joy Oladokun Hope is a Heavy Thing
She has the realistic and tentative optimism of Joan Armatrading, the curiosity and seeking eye of Tracy Chapman, the ability to build a world through a wave of information like Bruce Springsteen, and the thoughtful humour of John Prine.
Split Dogs Nice’n’Rough
Thirteen thumping tracks featuring lightning-fast guitar licks, raspy hooks and cues from greats like Plasmatics, New York Dolls, Motörhead and The Stooges.
Josefin Öhrn Cherry
Her most intimate and self-defined work to date and musically closer to the laid-back atmospheres of Kurt Vile, Lana Del Rey or Natalie Bergman with clear hooks and with Josefin’s voice magnetically standing front and centre
Orbital Orbital – Glastonbury 1994
Reopening a defining chapter in electronic music history with the first-ever official release of their now-legendary Glastonbury 1994 performance.
Oren Ambarch Cooked
Carrying on the grand Ambarchi tradition of meticulously constructed all-star studio jams, Cooked brings together international collaborators Joe Talia, Johan Berthling, Will Guthrie, Eiko Ishibashi, Jim O’Rourke, Michiko Ogawa, Marcus Pal, Fredrik Rasten, James Rushford, Isak Hedtjärn, Andreas Werliin & Konrad Sprenger for two side-long epics.
Chloe Caillet Dancr Again EP
Expertly crafted dancefloor record that draws on the euphoric spirit of ’90s rave culture while remaining unmistakably contemporary.
Vonda Shepard Nine Songs
Songwriter and pianist known for her appearances on Ally McBeal. The album includes a guest appearance from Jackson Browne.
Protomartyr Hotel Usona
The album sees the Detroit post-punk outfit reckoning with the horrors of our current moment.
Sasha & John Digweed Northern Exposure Redux
Dance music legends revisit, rework and expand their seminal progressive-dub-trance-breaks odyssey.
Bullion Nearly
In its sonic framing is an impulse towards contemporary pop, bringing together the melodic sensibility, synth-craft and emotional directness that have informed his songwriting to date.
Lacrimas Profundere Lay Me Down O Silent Fear
Every note reveals a band that refuses to choose between Gothic, heavy metal, brutality, darkness, modernity, or old school—simply because there is no reason to.
Red Code Traces of Unease and Discomfort, Pt.1
The sound combines the aggression of alternative metal — with reference points like System of a Down and Godsmack — with the structural influence of prog acts like Dream Theater and Fates Warning.
Samuel Jack One Last Dance in the Valley
His influences are prevalent through the record, touching on Sam Cooke, BB King and Van Morrison. But its punchy, dynamic production roots in the present day, too.
Maiah Wynne Into The Waves
It features an impressive cast of collaborators, including cellist Bethany Joyce, violinist Avelyn Reynolds, guitarist Brooks Berg, drummers Adam Brzycki and Randy Cooke, flugelhorn player Henry Sheppard, and Rush legend Alex Lifeson, whose guest guitar appearance further strengthens the connection between Wynne’s solo work and her role as vocalist with Envy of None.
Oh He Dead Vertigo
An amalgam of R&B and indie rock, sprinkled with a dusting of psych (and just a dash of disco).
Light Conductor Sequence Three
The spectral supergroup co-founded by Stephen Ramsay (Young Galaxy) and Jace Lasek (The Besnard Lakes), usually joined in some capacity by Lasek’s Besnard bandmate Olga Goreas, deliver another dose of its trademark longform slowburn jams, forged from restored vintage synths and analogue electronic gear.
Steve Bates An Infinite Antenna
Bates gives freer rein to melodic components and textural dynamics: leftfield synth work, deconstructed drum machine, pointillist electric guitar, and radiostatic blur are all part of the new brew swirling around his bruitist signal-bending and field-recording sensibility.
Courant Zero Solari
It channels his cinematic sensibility and decade-long exploration of sound art and electroacoustic counterpoint into deep cuts of maximalist ambient electronica.
Squanderers Bright Madness
The third album from the improvising trio of Wendy Eisenberg, David Grubbs, and Bonner Kramer doing their damnedest to dazzle one another is encompassing, flowing from shell-game sleights of hand to effortless beauty in the flicker of an ear.
The Black Thunder Time Obliteration
Moving away from their stoner-metal roots, Time Obliteration takes a much darker, heavier turn, blending black metal atmospheres with sludge, technical elements, groovy and avant-garde touches
Ghost Dubs Oblique
Set of alien soundscapes, submerged rhythms and craftily blurred melodies.
Catburgers Galashiels
Lost indiepop from the 1980s Edinburgh scene – these archival recordings are an illustration of the 60s-influenced guitar pop that swept the UK (and beyond!) in the mid-80s.
The Calling Before The World Turns To Dust
The new album stays true to the big, emotional, anthemic rock sound the band built its name on rather than trying to chase current trends.
Daisy Harris Shula
Harris takes inspiration from Mazzy Star, The Smashing Pumpkins and The Cardigans to cement her brand of indie-pop guitar music.
Chelsea Cutler Is This The End?
She makes pop with singer-songwriter earnestness, infusing big feelings into bold hooks.
The Male Pattern I Was Shot In the Heart
A narrative fiction Americana / Outlaw Country concept LP about divorce, descent, midlife crisis, and suburban suicide.
Jules Reidy Clerestory
It illuminates Reidy’s singular approach, where just intonation, chamber composition, and electronic experimentation form an immersive, radiant listening experience.
Oskaal (A)live
Norwegian extreme metal group bridging melody with raw aggression, and chaos with control.
Suffering Quota Sisyphean Life
A merciless collision of grindcore, powerviolence, death metal, crust and hardcore, turning depression, monotony and the endless futility of existence into one seriously punishing record.
Sacreligious Brutality Incarnated
Think the chainsaw-soaked filth of Entombed and Dismember dragged headfirst into the modern caveman brutality of Sanguisugabogg, fast, vicious, filthy and completely unapologetic.
Meg Lui Instant Validation
A batch of songs both rooted in raw emotion and inhabited by a fantastically surreal cast of characters: anthropomorphic flowers, sea monsters, Elvis Presley, the ill-fated lovers of ancient Greek myths.
Jim Ghedi The Death of Robin Hood Official Soundtrack
Droning harmoniums and hurdy gurdy lay a thick bed of sound for soaring fiddle melodies, with Ghedi’s signature wailing vocal occasionally floating on top in this wholly unique approach to film score.
Suede Coming Up
30th anniversary edition of their third album complete with bonus tracks.
