Downtown Boys            Public Luxury  

Punk and indie roots mix with Latin traditions, drum machines blend with acoustic drums, saxophones both support and interject between riffs, and layers of synths blend with guitars, doubling or tripling melodies to create blankets of melodic texture.

Alewya               Zero     

Alewya is an Ethiopian Egyptian, singer, producer and visual creative whose work bridges continents and disciplines. Raised in West London, she represents a new generation of artists redefining global music – rooted in heritage yet unbound by it.

Gloria Mundi    I, Individual     

Originally released on RCA in 1978, it channels that ethos into a record that pushes beyond punk’s three-chord limitations. Combining driving guitars, angular arrangements, and the striking addition of saxophone, the album delivers a layered, “chunky” sound underscored by Maelov’s theatrical vision and Sunshine’s fierce, uncompromising vocal presence.

Charlie Cello   I Walked All The Way Home EP            

He has rapidly emerged as one of the UK’s most compelling new voices, known for his emotionally direct songwriting, rich vocal delivery and ability to translate personal experiences into globally resonant records.

The Hobknobs                Helmets Off    

Lo-fi indie from Lewsberg’s Arie van Vliet, and Yaël Dekker of The Klittens.

The Strokes      Reality Awakes             

Their seventh studio album, produced by Rick Rubin.

Mount Turmoil                Peak Living      

Album moving across multiple shades of alternative rock, blending grunge-driven intensity, heavier metallic moments, stoner-infused grooves, Britpop sensibility, and even punk-leaning urgency,

Chanpan            Autogratis EP  

“confessions part iii” fuses an eerie choir of pitched-up vocals with Spaghetti Western-style guitar before exploding into a heavy, cathartic chorus.

Fai Laci              Elephant in the Room

Mixing the urgency of punk and the stomp of glam with the theatricality of classic rock.

Sebastian Plano            Solo     

A pure, unaccompanied cello album, a raw, acoustic documentation of decades spent traveling between Argentina, Berlin, and Italy.

This Is Me Breathing    This Is Me Breathing   

Deathcore band honing a sound that merges relentless heaviness with dynamic groove and intentional songwriting.

A Thousand Mad Things            Hate It EP         

Combine heady synth driven pop with stark and personal storytelling; exploring desire, shame and insecurities through bold and expressive songwriting.

Dead Pioneers               Wagon Burner

Their third album is heavier, harder but also more accessible set, vicious hooks scattered among the punk-rock melee and guest appearances by kindred spirits Cheap Perfume (on the righteous ‘Nazi Teeth’), The Interrupters (on the shout-a-long anthem ‘Never Alone’) and, bringing it back to the group’s beginnings, Sleaford Mods (on the searing slow-burn of ‘The Worst Among Us’).

Laptop                On This Planet

Their first album in 20 years sees them blending art-pop structure, Afro-influenced rhythms, orchestral textures, and layered vocal arrangements.

Catch                  The Elephant in the Room       

Spanning 13 introspective tracks, The Elephant in The Room showcases Catch’s sharp lyricism, emotional honesty, and ability to move fluidly across sonic landscapes while remaining deeply connected to her South London roots. ‘

Mortiis                Ghosts of Europa         

Pioneering dark ambient and industrial metal artist, widely credited as the founder of the dungeon synth genre, whose work spans from haunting atmospheric soundscapes to abrasive, genre-defying electronic metal.

Shane Embury                Bridge to Resolution   

Solo debut from Napalm Death bassist and songwriter. While best known for his work in extreme metal, the album draws on his long-standing love of atmospheric goth and post-punk, with influences including Cocteau Twins, Killing Joke and The Mission.

Helen Svoboda              Headwater      

It weaves sixteen threads or ‘earworms’ built around two double basses, two voices, and electronics; heard as singular and combinatory bodies of material. The album forms an abstracted picture of self, rooted in a devolved song form.

knitting              Souvenir           

Indie rock record that considers what we take with us in life—each song feels like opening a locket and looking onto a specific moment or memory, a world of feeling held in a few moments.

Emperor X         Unified Field   

Chad Matheny has been writing, recording and performing music as Emperor X since 1998, operating in the space in-between indie rock and emo folk/punk.

Myra Lee            Capture The Flag         

The trio’s sound is inspired by 90’s indie legends like Yo La Tengo, Pavement, Electrelane and Sonic Youth, while carving out an expansive and ethereal sound.

BCMC                 Stash   

A borderless pursuit of cosmic music in every strain: folk, rock and jazz, psych, prog, DIY, experimental, programmatic, impressionistic, liturgic, electric.

JJerome87         The Canyon     

Into a cinematic world of fantastical vignettes and deep, simple humanity; dusty, Motown-influenced Americana and a curious, British mind comes The Canyon: the debut solo album from British songwriter and musician Joe Newman, frontman of the Mercury Prize and Ivor Novello-winning band alt-J.

Willow Avalon                Pink Pocket Pistol       

Avalon describes the album as “a mix of the lyricism and sassy storylines I’ve continuously written, with more darkness, mystery and a ‘60s country feel.”

The Telescopes              Static Charge 

Stone age beats, outsider sounds, low end disturbance unite in resistance to the new weirdness of existence.

Young Lovers   The Circle’s End           

The second album from Los Angeles-based post-rock/shoegaze band.

Au/Ra   heartcore         

Since she was a young girl, Au/Ra has always used fantasy to understand her world and ultimately escape it, albeit temporarily. On heartcore, she elevates that world-building with emotional intricacy in order to tell a gripping coming-of-age true story of betrayal, trauma and recovery.

Cody Johnson                 Banks of the Trinity     

Country artist tells the story of his childhood.

Snarls  In Heaven         There’s Rainbows EP  

Think Wolf Alice, Wet Leg, Snail Mail and, for the familiar with their sound, expect a more fully fleshed out array of songs that simply amplify what you’ve previously heard!

Cate Kennan    Shadows          

Ten vignettes of keys, strings, reverb, and voice, the songs sway and lope between dream and lullaby, rose-coloured but remote.

Kita Alexander               Rage    

The singer-songwriter says, ” “Rage has been the catalyst of positive change in my life over the last couple of years. The album is about an emotion I’ve always had but never understood.”

Jacana People                Breaker EP       

Their productions drift between organic electronica and 90s ambient techno, guided by emotional intuition; dance music without boundaries that is immersive, melodic and transportive.

Beth Orton        The Ground Above      

Orton’s most direct and unapologetic music to date; urgent, raw, embodied and emotionally fearless, moving between subconscious expression and expansive, timeless song craft.

Missoula            Death Doula   

The instrumental project from drummer Brooks Wackerman (Avenged Sevenfold, Bad Religion) and guitarist John Konesky (Tenacious D).

Druidess            Trip Meadow   

An unashamed and self-proclaimed Iommi-worship with nods to the psychedelic-drenched Organ of The Doors and brief forays of Cocktail-Lounge Sax.

Shark School   Selachimorpha             

A chaotic blend of punk energy, garage grit and sharp-witted commentary.

Miracle               The Living Likeness Of My Electric Daemon 

A dark synthesis of devotional pop, kosmische propulsion, and gothic minimalism.

Pixies   Compete B-sides:1988-97      

19 B-sides from the band’s classic 4AD era together with 6 live tracks.

Million Moons                You Be Good, I Love You           

Across eight carefully woven soundscapes, the band deploy their signature blend of soaring guitars, glittering keys, and bruising drums alongside new additions, including saxophone lines and a live church organ.

Melanie Radford           For The Sake of Stillness         

On tour with Built To Spill, she began collecting field recordings during her travels, going for long walks alone through cities, natural spaces, and neighbourhoods. With these audio recordings as the foundation, Melanie built out melodies and rhythms, always keeping her bass and vocals at the heart of the music.

Robinson Kirby              Gone   

Duo whose sound is built around heartfelt harmonies, introspective songwriting, and a warm blend of modern folk and timeless indie influences.

alan vuong        Heaven Sent Me           

R&B, nu psychedelia producer whose style can vary from doing a r&b flow on a post-punk beat, Soundcloud-rapping over a psychedelic rock track reminiscent of the late 2010’s Southern California indie scene.

Amaria BB         Comes to Light EP       

A sound she describes as “new-stalgia”, drawing inspiration from the artists she grew up on such a Janet Jackson and H-Town, while reshaping those influences into a fresh body of work.

Triple Lutz         In the Hands of an Angry Mob              

The band straddles the line between early ’80s hardcore and more technical punk, creating a soundscape that matches their urgent and earnest lyricism.

Graham Parker & The Goldtops            Quality Footwear: Live at the Brook   

Live performances of tracks dating from his first album Howlin’ Wind (1976) through his most recent full-length of originals, Last Chance To Learn The Twist (2023).

Aaron MF Olson             Songs Album II             

A collection of widescreen hi-def songs and sounds with moments of sound laced into song, functioning both as toe-tapping sweet melodies and near-Joycean full-function index of personal reference.