Frankie Archer               The Dance of Death    

Archer reconstructs some of the oldest songs in the English canon with fractured, future-facing production. Working from archival ballads of obsession, devotion and loss, she warps fiddle lines, processes her own vocals and drives the material with pulsing drum machines and colourful synth arrangements.

Normans           Faust Demonica           

The project operates at the intersection of post-punk, noise and industrial music through disciplined electronic structures, repetition and low-frequency pressure.

Rosa Walton     Tell Me It’s A Dream    

Best known as one half of Norwich experimental pop duo Let’s Eat Grandma, Walton now opens a new creative chapter with a record that expands her sonic world while remaining rooted in heartfelt vulnerability and bold ambition.

Les Big Byrd     Ruin Everything            

Swedish rock band with a willingness to counterbalance experimental psych odysseys with irresistibly straightforward pop songs.

Dea Matrona    Hate That I Care           

Leaning further into alt-rock, ‘Hate That I Care’ showcases a sharper, more confident sound while retaining the raw energy that has defined the duo from the start.

Deer Tick           Coin-O-Matic  

Indie rock band cast a bright light on a little-known facet of the American mythos: the hidden histories of the band’s home state of Rhode Island, where the everyday dramas of working-class families long collided with the menace of the mafia underworld.

Lee “Scratch” Perry & Mouse on Mars              Spatial, No Problem   

It sees the dub master taking to the group’s blend of motorik rhythmic elements with free improvisation, digital glitches, dada poetry and the dubby “voodoo” he always insisted haunted our machines.

Slift       Fantasia            

French heavy trio produce a pointed saga about overcoming international upheaval delivered by a band bearing down, not wasting a single second in the process.

Roger Sanchez               Spectrum         

On his first studio album in 20 years, he has called on big names from the worlds of house and electronica, such as Fedde Le Grand and Low Steppa, topline queens and vocal talents Karen Harding, Kelli-Leighand Leo Wood along with big names from other genres (Melanie C, Chico Castillo, Kele Le Roc and Donae’o).

Sad Cypress    Princess of Cups          

Crafting indie folk music, laden with her heart on her sleeve emotions a wider narrative arc that’s framed in a wider tapestry of her artistr

Tender                Where The Waves Break          

Electronic and indie duo reflect on balance, duality and the fragile space between calm and chaos.

Brockhoff          Easy Peeler     

The album presents itself as a slow-grown, carefully crafted project that blends ’90s guitar rock with exuberant pop arrangements.

Jeff Goldblum & The Mildred Snitzer Orchestra          Still Blooming 

Piano playing Goldblum also adds his vocals on a few tracks, alongside a lineup of collaborators whom he has mobilised as a result of his illustrious decades-long career including Cynthia Erivo, Melody Gardot, Ariana Grande, Scarlett Johansson, Charlie Puth, dodie, Haley Reinhart, Maiya Sykes

Where We Sleep           The Arsonist    

Led by Beth Rettig’s distinctive vocals, this electronic rock release is layered with textured guitars, programmed beats, atmospheric synths into an alternative cinematic rock soundscape.

Who Shot Scott             Hairy   

It’s a deeply personal narrative that sits at the heart of Hairy, an album built from snapshots of Who Shot Scott’s adolescence between the ages of 13 and 18. The album’s title stems from years of bullying over body hair at school, a memory the artist has reclaimed and transformed into a symbol of defiance, irony and strength.

Haylie Davis    Wandering Star            

Brimming with infectious hooks, soaring choruses, and enduring storylines that tug at the heartstrings.

Fink      The City Is Coming To Erase It All       

Folk trio with an album that perfectly matches the visceral ruggedness of Cornwall with a set of songs that are raw, stark and unflinchingly honest.

DJ Seinfeld       If This Is It        

Varied 12-track collection from the Malmo-born producer.

Sandscape       Phenomenology            

Formed by composer/producer, and sound artist Daniel Sonabend, and critically acclaimed songwriter and vocalist Eliza Shaddad, Sandscape occupies a space between experimental composition, ambient electronics, jazz abstraction, and song.

Bolka    schwarzkopf   

Positioned somewhere between a tightly run freak folk orchestra, deconstructed ballads and colourful ecstatic melancholy.

The Dharma Chain       Some Kind of Pure State         

Band fusing elements of neo-psychedelia, shoegaze, post punk and 70s rock and roll.

Laura Misch     Lithic   

Recorded between an old slate quarry in Cornwall, and the Aegean Sea on the island of hydra, featuring an 180-year-old stone lithophone, the Musical Stones of Skiddaw, woven with the wind, sea, and temperate rainforest rain.

Poppy Ackroyd               Liminal              

Written and recorded during a period of profound upheaval and transition, it marks a return to the core of Ackroyd’s practice, bringing piano and violin back together.

Prospa                Free Your Mind              

Synthesizing the traditions of classic house with the sounds of modern global dance music, Free Your Mind is a sleek collection of club-ready future classics.

Satya    Yellow House  

Raised in Oakland, she blends soul, alt-R&B, and dreamy textures into something soft and grounded.

of Montreal       aethermead    

Wrestling with an emotional cavalcade of confusion, frustration and bitterness to passion, desire, and healing aethermead is something of a breakup record.

The Joy Thieves              Apocalypse Pending   

They craft their signature sound from the contributions of its ever-growing 80+ roster of members, drawn from a diverse range of genres, including industrial, rock, punk, darkwave, hip hop and experimental music.

Zoh Amba          Eyes Full           

The album courses with a type of muddy, loose acoustic blues, punctuated with bursts of feedback-laden electric guitar and sweet burnishes of Appalachian folk.

Dwarves            Jenkem              

A high-velocity blast rooted in hardcore’s most feral instincts, JENKEM taps into the same raw aggression and breakneck intensity that fed the early crossover between punk and thrash.

Jo Dee Messina              Bridges              

First album in ten years from chart-topping country, 2x Grammy-nominated music icon.

Big Special       O’Joy! EP           

The band say, “This new record is made of all the fallen parts of our first two albums. We picked them up and took them back to the studio to rework and play with them to make them into their own piece of work that reflects upon what we have done so far.”

Bedouine           Neon Summer Skin    

Bedouine co-produced most of Neon Summer Skinwith her longtime collaborator, Gus Seyffert, and wrote with the sweet pop melodies of Todd Rundgren, Karen Carpenter, and Carole King in mind.

Swallow             Blown  

Repackaged release of the first two albums from 1990s 4AD shoegaze band.

Dutch Elm         Dutch Elm        

Newcastle instrumental four-piece emerge from the fertile intersection of post-rock and math-rock, weaving intricate, pedal-driven guitars with a powerful and dynamic rhythm section.

Down To The Bone        This Way Forward        

Featuring ten tracks with a diversity of flavours, from jazz funk and soul to Brazilian.

Bolka    schwarzkopf   

Meticulously detailed yet carefree: delicate moments sit next to sudden explosions, drifting from gentle pop to bursts of noise.

100 Demons     Embrace The Black Light         

For over 25 years, 100 Demons have stood as one of hardcore’s most uncompromising forces— a band built on raw conviction and a sound that refuses to be boxed in.

Harald Grosskopf         Glitches Brew

An album shaped by speed and responsiveness. Grosskopf worked primarily with digital instruments this time, travelling light and favouring fast access from feeling to recording.

Mike Batt           Symphony No 1: Ukraine         

Working with the London Symphony Orchestra, it is dedicated to and inspired by the people of Ukraine, whilst also intended more broadly as a reflection on the conflict and suffering that is ever-present in modern world affairs.  It is presented in four movements: Prelude / Blitzdream / Love and Loss / Hope with Strength.

Liz Lawrence   Vespers             

Written over a period of three weeks, its songs coming in a short burst, all at once, six months after the sudden, shock death of her sister Jessie.

Sparklmami     in this body     

Chicago-based multidisciplinary artist of Mexican and Indian heritage whose sound draws on Brazilian jazz, experimental soul, Mexican bolero and funk.

Evergrey             Architects of a New Weave    

Crafting timeless melodies, powerful riffs, and gripping lyrics.

Abysmal Growls of Despair    Torn     

This album of funeral doom metal explores the emotional landscape of a husband caring for his wife battling cancer.

Iron Kingdom   Shadows & Dust           

It explores themes of death, hardship, impermanence, and resilience, wrapped in the band’s signature blend of classic heavy metal, power metal, and NWOBHM influences.