Pigeon Outtanational
Across the album, Pigeon build party music without limits, drawing lines between afro-disco, krautrock, punk-funk and post-punk, with a DIY spirit and an exploratory edge.
Tori Amos In Time of Dragons
Amos states, “”In Times of Dragons is a metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non accidental burning down of democracy in real time by the ‘Dictator believing Lizard Demons’ in their usurpation of America.”
Modern Woman Johnny’s Dreamworld
It represents the culmination of Modern Woman’s journey from Sophie Harris’s early, intimate songwriting project into a full-bodied band capable of folding post-punk, avant-garde and folk traditions into a live force of dynamic originality.
Lip Critic Theft World
An album that blurs the line between the real and the absurd while interrogating not just art itself, but how it comes into being. At its core, Theft World is an album about stealing.
Hiss Golden Messenger I’m People
An intensely human record—immediate, vulnerable, and full of spirit, something you could touch, sing along to, dance with, know about, recognize, relate. Taylor, grappling with the heartbreak and exhilaration, the absolute black comedy of being alive in America circa 2026.
Ana Roxanne Poem 1
Roxanne displays her skill as a singer and songwriter in the classic sense, using the limited instrumentation simply to accent her exposed tones.
The Claypool Lennon Delirium The Great Parrot-Ox and the Golden Egg of Empathy Les Claypool and Sean Ono Lennon once again combine their mutant minds to deliver an elaborate, 14-song concept record reflecting on morality, mortality, and the warnings of A.I.
Chris Brain Red Sun Rising
Quietly powerful collection of songs rooted in the British pastoral tradition, navigating themes of yearning, restlessness, and the desire for change, set against landscapes both literal and emotional.
Simone White Letter To The Last Generation
Showcasing White’s deft songwriting abilities and diversity of range, it’s a record that should appeal to fans of Laurie Andersen Agnes Obel or Aldous Harding.
Glissandro 70 g 70 2: Bones of Dundasa
Comprised of a decade’s worth of recordings that were abandoned, lost in a hard drive mishap, recovered in the form of rough stereo mixes, reappraised with the balm of time, and restored/augmented/enhanced, they are finally seeing the light of day.
Martin Carr What Future
Solo album of distracted beats and messy electronics from the songwriter and founding member of The Boo Radleys and Bravecaptain.
Jesca Hoop Long Wave Home
Staying true to her folk roots, though never purely, Hoop delivers strikingly original songwriting showcasing her innovative vocals augmented by imaginative arrangements.
Ultrabomb The Bridges That We Burn
Band consisting of Greg Norton (Hüsker Dü), Derek O’Brien (Social Distortion, Agent Orange, Adolescents) and Ryan Smith (Soul Asylum).
Weird Nightmare Hoopla
Working in a record store, Alex Edkins became an ardent student of rock ‘n’ roll; from the psychedelic 1960s to the DIY 1990s and beyond. The album shows off his wide-ranging influences.
Tarragon Home At Cofa’s
An expansive and immersive record which features further collaborators from Tame Impala, Supertramp, Bon Iver and more.
Andervel Ironclad & Palm Trees
A folk-leaning, multilingual record shaped by migration, memory and the meeting of two homelands, the album expands the poetic, cross-cultural world he has been steadily building across recent singles, where the warmth of Mexico meets the windswept quiet of Iceland.
Where We Sleep The Arsonist
A blend of dark pop, filthy electronica and guitars create an atmospheric and tantalising soundscape navigating the darker corners of consciousness, via synths, loops, guitars, bass and programmed beats.
Moon Walker Wasteland Country
Taking a maximalist approach, Moon Walker’s Harry Springer liberally applies cinematic string sections, stacked harmonies, cathartic, wailing guitar solos and bombastic, dense arrangements across eleven piercing tracks.
Valley Boy Children of Divorce
His debut record clocks in at a purposefully unlucky 13 tracks; stories of his own and those of other children of divorce who have felt like magnets to him his whole life.
Face of Ancient Gallery Like Kites
Known for his guitar work in bands such as bloodsports, People I Love and Wesley Wolffe, Like Kites peels back the layers behind Jeremy Mock’s craft to reveal his most honest songs yet.
Venom Into Oblivion
Band that from their birth in Newcastle in 1979 paved the way for extreme metal and created their own genre, Black Metal.
Tomorrow Woman Plays Machines EP
With Tomorrow Woman, Betsy Roszko steps into the world of electronic music, carrying forward the punk instinct for disruption into the layered, boundless world of synthesised sound.
Jarrod Lawson Just Let It
Nashville-based singer/keyboardist with third album featuring exciting collaborations exploring new musical avenues from his established soul/jazz roots.
Martin Barre The Acoustic Trio & The Electric Quartet Live in the USA & Europe
New 2CD live album release by Martin Barre, the acclaimed guitarist and former member of Jethro Tull for over four decades.
Lorelle Meets The Obsolete Corporeal EP
It features two new tracks and remixes from their recent album Corporal.
Gottlieb The Far Fallen Fruit
Fusing the volatile edge of hardcore with post-punk tension, Gottlieb delivers a confrontational critique of modern capitalism and the widening divide between working people and the ruling class.
Ben Auld Loserdom
A louder and more ambitious shift toward blown-out power-pop, inspired by records like Grand Prix by Teenage Fanclub, Pinkerton by Weezer and Tony Molina’s Dissed and Dismissed.
Essosa Crush!
Six-track EP. Across the project, Essosa leans into glossy, feel-good sonics and playful lyricism – from the excitement of getting ready with friends, to the late-night energy of the dancefloor, and the hazy glow of the after-party.
Balaam and the Angel Love Death Wealth Water EP
The sound of the new record is a deliberate attempt to blend the ambiance of the band’s darker past with the punchier edge of their later albums.
Melanie C Sweat
Before she became Mel C of the Spice Girls, she was Melanie Chisholm of “The F**king Yeah Four”, a group of 18-year-old friends dancing through the Costa Brava rave scene in the early ’90s. Those formative nights of sweat, freedom and connection continue to shape her creative vision today.
Will White It’s Easy To Let The Thoughts Gain Ground
The first release under his own name after years working across The Maccabees, 86TVs, and Great White Shark, as well as composing for film (BFI, BBC).
