The Leaf Library After The Rain, Strange Seeds
A luminous collection of pastoral indiepop, drawing inspiration from suburban isolation, unreliable memories and the surreality of the weather.
Damaged Bug ZUZAX
It was recorded over a period of seven years, from 2018 to 2025, by John Dwyer himself. The record is an 11-track rollercoaster ride of out-of-the-box arrangements, off kilter yet infectious melodies, and dynamic rhythms.
The Heads YOURPRETTYPLACEISGOINGTOHELL
First new material in 20 years from a well-established though reclusive part of the UKs underground /cult psychedelic rock scene.
Joshua Burnside It’s Not Going To Be Okay
Modern folk artist whose album was written and recorded in the wake of the death of his closest friend. It is his most stripped-back and unguarded work to date.
Ladytron Paradises
Their eighth album is a collage of tech primitivism, high-priestess disco, spectral soul, and balearic noir.
Pan•American Fly The Ocean In A Silver Plane
Project of Mark Nelson who says, “The songs on Fly the Ocean on a Silver Plane were recorded at home over the last couple years. I played electric guitar, rubber bridge acoustic guitar, Ableton Live and an Electron Digitone synth. My friend Mallory Linnehan aka Chelsea Bridge contributed beautiful violin and vocals to a couple of the songs.”
mclusky i sure am getting sick of this bowling alley
Mini-album from one of most abrasive but interesting noise bands.
Gyða Valtysdottir Mother Pearl
Classically trained yet unbound by genre, she dissolves conventional boundaries between electronic, chamber and improvised music, reimagining them as a coherent, organic flow. She first emerged as a founding member of the electronic dream-pop band múm in her teens before leaving to pursue her own musical path.
Nubiyan Twist Chasing Shadows
The band’s fifth studio album is a rich and restless blend of jazz, afrobeat, hip hop and electronic textures, exploring the space between the organic and the digital.
Andreas Tschopp What if We Align Our Breath
Singular contemporary jazz & South African roots music focused on the playful, melancholic sound of kudu horns, a time-honoured instrument used across indigenous South African culture
Killerstar The Afterglow
Band that has earned comparisons with Bowie, Suede and prime 70s art rock.
clâm clâm
Blending psychedelic, ambient, space/slack, and fuzz rock with a shimmering touch of disco, clâm forges a heavy-psych sound.
Colleen Libres antes del final
Multi-instrumentalist with a set of tense and dark compositions.
Axel Rudi Pell Ghost Town
His songs are marked by his typical, unmistakable signature, a hybrid of powerful guitar riffs and catchy melodies.
more eaze sentence structure in the country
Rubio grew up playing fiddle in traditional folk and country tunes, and while sentence structure in the country playing is entirely different, her reverence for the evolution of folk forms and her playing remain imbued with those experiences.
Son Little CITYFOLK
Little admits, “my music has always had flashes of country, rock and folk, as well as hip-hop, blues and R&B so I’ve always struggled as an artist who kind of, I think, lives in the spaces between genres.”
Ringing Another Cycle in the Cosmic Wash
Ringing splinters the impenetrable wall of noise that is Another Cycle with coordinated expositions of harsh landscapes, worn-in melodies, and a well-intentioned heart.
Ego Ella May Good Intentions
Her most ambitious work to date, blending warm jazz textures, alt-soul explorations, intricate harmonies, and lyrical storytelling.
Crimson Riot Third Time’s A Charm
Their sound blends heavy, fast, catchy, and melodic punk anthems with a wide range of punk-influenced styles.
Danny George Wilson Arcade
He presents a fresh collection of sonically inventive, deeply romantic songs, with atmosphere taking primacy over meaning, and narrative dissolving.
The Silver Looking Glass Hymnal Blue
Lush, baroque riffing billows like the draperies of a derelict opera house, haunting, but deathly precise, a meticulous symphony offset by the incessant rattling from the basement, perhaps the faint wailing from worlds below, made manifest through the bitter black-metal shrieks of singer N. Duchemin.
Naomi Scott F.I.G.
A collection of 11 songs that reflect inspirations from across the soundscape of her life. From the soulful church music of her youth (Mary Mary, Kim Burrell), through to the ‘80s stars that populated her dad’s Windows Media Player (Michael Jackson, Peter Gabriel, Kate Bush), to the blog-era alt-pop heroes of her teens (Jessie Ware, Robyn et al)
Hannah Storm It Will Never Be The Right TIme
Sitting in the same emotionally direct, songwriter-led space as artists like Gracie Abrams, Lizzy McAlpine and Paris Paloma.
Tedeshi Trucks Band Future Soul
Sonically pulling from a variety of influences including funk, rock ‘n roll, blues, soul, punk, and much more.
Foundling Artemisia
Bassist and harpist whose latest is a departure being primarily instrumental, with two spoken word pieces, the album moves into a more experimental, ambient and improvised realm.
House of All Inklings
Latest from the Martin Bramah-led bunch of ex-Fall renegades.
Leila Bordreuil and Kali Malone Music For Intersecting Planes
Cellist and organist join in a work of austere, ritualistic presence, where the granularity of air, the vibration of strings, feedback, and subdued sine waves intersect in sculptural form.
Mativetsky Amiri Pagé Metamorphose
It incorporates aspects of Indian and Persian classical musics and juxtaposes them with investigations of rhythm and colour in a hybrid sound.
The Undercover Dream Lovers Atomic House
The new album sees musician and producer Matt Koenig is stepping away from his fuzzy, dream-pop sound on this record and allowing for kinetic moments to be driven by his scratchier voice and guitar.
Anna Calvi Is This All There Is? EP
The four-song EP features collaborations with Iggy Pop, Laurie Anderson, Matt Berninger and Perfume Genius.
samxemma Us Forever EP
Sonically, the EP pushes further into duality: high-energy electronic peaks alongside moments of stark vulnerability, including stripped-back writing that foregrounds Emma’s most personal reflections to date.
Present Nature Present Nature
Listeners are urged by the band to “think Shelagh Delaney scored by Burt Bacharach” as singer-songwriter, Jonny Woolnough shakes the pockets of classic songwriting bands, such as Aztec Camera and Prefab Sprout on this debut, Bill Ryder-Jones-produced album.
Vero Razor Tongue
A record that thrives on urgency, Razor Tongue is marked by a philsophy of no re-takes, no second-guessing – just pedal-to-the-floor intensity.
White Noise Sound Circle Is Red
A full-length visceral document of sonic alchemists White Noise Sound (WNS) captured during the band’s European shows in 2011, where their hypnotic rituals of distortion, repetition and drone reached transcendence.
Refestramus Morri’s Rock Boutique
A surreal desert-western dreamscape filled with ferris wheels, neon temples, and wandering ghosts of memory. The album blends cinematic atmospheres with adventurous progressive rock.
gianna Behind The Wings EP
Sonically, the EP is fuelled by electronic textures and punchy synths, with influences spanning from UK jungle, trip-hop, 90s Y2K nostalgia, downtempo and albanian folk.
Dreamwave Drifter / Moon Dogs
Drawing from garage rock, acid punk, and dream pop, the band move effortlessly between raw, high-energy performances and soft, floating moments of introspection.
Will Gardner The Hadal Zone
UK composer and arranger for alt-J, Daughter, Låpsley, hmltd, and David Gilmour whose album occupies a liminal plane between decaying avant-noise and austere modern-classical chamber music.
Sick Shooters Super Sonic Rock Saga
The catchiness of the songs, the raw production and the complete lack of a bass-guitar give vibes of 90’s garagepunk bands like The Reatards and The Oblivians and gets mixed with hints of 70’s powerpop in the vein of The Nerves.
